Warning beeps, doors close and train leaves partick subway station. Sound of train leaving echoes along the tracks and another train arrives on the far-side track. Recording: olympus ls3 + built-in mics.
Garage door closing, electric motor, single garage. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).
A close-up recording using the m/s technique. It is the recording of a simple small-sized fan. I really liked the low-frequency sounds it generated when i got the mic close. All my sounds are public domain and can be used by anyone in any way they want. You can support me here: https://www. Buymeacoffee. Com/chrd.
The sound of an orange being peeled. [no attribution is required but if needed/wanted attribute to: https://www. Youtube. Com/channel/ucjl4yh2eaczyggecvnbfvha/].
Opening and closing a padlock. Recorded with behringer xm1800s mic through a behringer xenyx12202 mixer, m-audio410 interface, ableton live 8, some eq i think. . .
A distorted bass sound. Made from playing with an elastic band really close to an xy mic, recorded fairly hot then distorted. Suprisingly sounds like a note from a bass guitar.
This is a xix of 2 matches being ignited, plus reverberation. There is also a tail with the small sound of burning from one of the matches. Originally recorded at 41kz16bit, condenser mic, very close position.
Rain light/moderate falls on the balkony made out of stone. High quality recording with rode nt1a (two times, stereo-mixdown). The rain sounds very close to the mic, very clear and with all the high frequencies catched. Hope someone can use it for whatever. . . I used it as an intro in a song :-).
One note from an antique wind-up toy. Recorded with a relatively low-quality mic at a close distance; you can hear the machine of the music box churning and some faint ambient humming.
This is a close-recording of a beehive with thousands of bees. Tools: tascam dr100 mkiii with intern mics. Some postproduction in cubase 11 with izotope rx, waves rs56 eq and soundtoys decapitator.
Recorded with my phone in a fairly busy cafe in korea. After lunch hour, beaty jazz bgm, women talking, children talking and laughing. Occasional cup filled with ice stirring closely to the mic.
A close perspective of a small backyard fire, crickets in the background. Recorded in september 2013, on a zoom h4n's internal mics, in 48khz, 24bit, in port st lucie, fl, usa.
Striking matches / lighting matches close to mic'. 16 bit, 44,1 khz, mono source & output. No envelope automation, no compression, nothing except a slight hp at 26 hz. Clipping did occur on some transients for a few milliseconds (0-4 ms) on the strike due to mic' proximity (3 inches). Mic' used: samson c01 usb.
A busy supermarket car park with lots of traffic coming and going. Cars driving round looking for places to park. Doors opening and closing, people talking. Olympus ls-5, internal mics, 15hz low cut.
Several foleys of a metal music stand being manipulated: dragging it on a wooden floor, making it creak, opening and closing its legs. Mic: schoeps c-mit 5.
Very high velocity stroke with 5a wooden mallet in paiste pst3 20" crash on stand. Recorded with pair of akg p120 mics on stands and tascam dr-60 mkii recorder. Middle-side recording technique. Middle mic next to crash, side mic in a distance of 1m. Recorded in tiny kitchen with doors closed. Few ringing partials were tamed with parametric equalizer. Sound faded out in flstudio edison. Recorded in 96khz and 24bit.
Opening a fizzy drink can (330ml). Initial hiss / open. The opening is boomy because the mic was very close, but i didn't eq it out because it sounds quite interesting.
Compressor industrial construction atlas copco xavs 186 no low cut close , 20cm to exhaust , steady. Mic sennheiser mkh 8060 , sound devices 633 , no low cut. Rumbling and hissing. Possibly also for creating atmospheres like machine rooms. Feel free for any/commercial use.
